[OPEN] Moving
Who: Angel and Y'all
What: Moving Day and the Surrounding
When: Early December
Where: Yeah!
Warning(s):
1. So take your shaking bones
Eddie leaves on the ferry on a cold misty autumn morning, and Angel spends longer waiting for him to return to the farmhouse than it'll admit to afterwards, keeping a kettle warm on the stove for afternoon tea until the water's all boiled away and it's clear that how many lumps Eddie takes in a cup is irrelevant now, irrelevant ever again and Angel still doesn't want to admit it until it has to.
It has to.
And taking care of the farm, the bees and the temple all by itself just isn't going to be possible, it's not, even if its heart was hale and whole and beating in sync with Eddie's still, so something has to give.
Something has to.
Angel decides that it is going to move.
There are appointments with town hall to discuss possible new houses and apartments and townhouses (not homes, yet), and discussions of its beehives being transported into town, and paperwork to be filled out in a heavy, stiff, blocky hand as it figures out the work of transition, hoping that living in the city will be a replacement for the bustle of clucking hens and the nagging goat and it's going to need to get a stable situation set up for Arcadia, if the horse will forgive the relocation.
Angel is alone.
This is not work to be doing alone.
And that's before we get to the process of packing, of sorting through the debris of a life and a love and the twinge that reminds it that it can't cry every time it comes across a favored book or a shirt that still smells like Eddie, and that twinge is deeply painful enough to make it stop moving for seconds, perhaps minutes before it finds something to push it past inertia, even as it feels like some vital spark inside it is guttering and dimming.
This is not work to be doing alone.
2. And step out on your own
A sign on the bulletin board:
HELP WANTED MOVING. STANDARD PAY OFFERED: PIZZA AFTER WORK COMPLETE
3. Oh, the winter never stops
[This is your wildcard. It was meant for you.]
What: Moving Day and the Surrounding
When: Early December
Where: Yeah!
Warning(s):
1. So take your shaking bones
Eddie leaves on the ferry on a cold misty autumn morning, and Angel spends longer waiting for him to return to the farmhouse than it'll admit to afterwards, keeping a kettle warm on the stove for afternoon tea until the water's all boiled away and it's clear that how many lumps Eddie takes in a cup is irrelevant now, irrelevant ever again and Angel still doesn't want to admit it until it has to.
It has to.
And taking care of the farm, the bees and the temple all by itself just isn't going to be possible, it's not, even if its heart was hale and whole and beating in sync with Eddie's still, so something has to give.
Something has to.
Angel decides that it is going to move.
There are appointments with town hall to discuss possible new houses and apartments and townhouses (not homes, yet), and discussions of its beehives being transported into town, and paperwork to be filled out in a heavy, stiff, blocky hand as it figures out the work of transition, hoping that living in the city will be a replacement for the bustle of clucking hens and the nagging goat and it's going to need to get a stable situation set up for Arcadia, if the horse will forgive the relocation.
Angel is alone.
This is not work to be doing alone.
And that's before we get to the process of packing, of sorting through the debris of a life and a love and the twinge that reminds it that it can't cry every time it comes across a favored book or a shirt that still smells like Eddie, and that twinge is deeply painful enough to make it stop moving for seconds, perhaps minutes before it finds something to push it past inertia, even as it feels like some vital spark inside it is guttering and dimming.
This is not work to be doing alone.
2. And step out on your own
A sign on the bulletin board:
3. Oh, the winter never stops
[This is your wildcard. It was meant for you.]

reaches
Do they need to exchange greetings, or can one simply tug the other over in her arms, holding fast, holding it to the present moment. Not alone. Not right now.
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"Tell me everything. When you can."
She won't make it speak or move before it's ready.
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4/4
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Step out on your own
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"We're loading onto the cart hitched to my horse. Might be a few trips. Several trips." Angel is notably dead, but he's very polite about it.
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"That's a lot of stuff," they comment, hoisting the nearest box onto their shoulder. "What's even in here?"
Maybe this is a normal amount of stuff for people who live on a planet and reside within horsing distance of their job to have, and they're the weird one.
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bones (cw: mentions of death, bodies, gore)
Sole chaplain to a camp of hundreds; Mulcahy had long settled into his duty as psychopomp. The missing cannot be passed without help.
It is... a while, before Mulcahy sees it. He's still a recluse. (Still faded.) But he does, eventually, when Angel is moving hives to the Temple; and the air of grief, that manner of the overcome, no matter how stiff and cadaverlike Angel is, is unmistakable. There has been too much loss around and in him to miss it.
He approaches, soft-footed as he ever is, wraithlike with his pale self and heavy dark winter cloak over his black robes. Gently he puts a hand to its elbow.
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"Don't leave me. Please."
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He has been tossed and kicked about far too many times to be able to promise that the whims of fate won’t separate them. (Henry went. Radar went. Hawkeye—) No, the cavern in his heart is too deep for that. But.
”Not if I can help it.” Never, if he gets a choice.
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Erik knocks on the door and calls out, "Angel? Are you in?"
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"I'm here. Eddie is gone."
His rumbling low voice is quieter and more broken than usual. His hair is mussed and his expression is blank and there are boxes behind him. And trunks, borrowed from locals. To move his life off the farm.
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1
Anzu comes by, with Lev, to help Angel sort through the remnants of its life with Eddie; Snowflake tags along, but her contribution to the proceedings mostly consists of sniffing at random things, trying to eat paper bags and napping on the furniture.
Lev retreats into the kitchen to make tea and figure out if there's enough ingredients that he could induce Anzu to bake something, or at least make blintzes. Anzu helps Angel sort through books and clothes and tshotshkes; he says little at first, but noticing Angel's inertia, its retreat into itself, he decides to chance striking up conversation.
"Thou could'st just throw the lot away, nu, darling?" he says, gently. "If seeing it is too painful. Or lock it up in a shed, let some future Angel deal with it all in a decade's time."
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It's the odd reminder that Angel hasn't seen the end of his first decade yet. That wide expanse of time is hard for him to hold in mind, the same way it is for a child. It's not somethinf he can hold up to a fraction of his past and comprehend.
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and step out on your own
"Hi," says another stranger. (Or as much of a stranger as one can be in a small island town, where the general milling of life means seeing familiar faces along familiar paths here and there.) "I, ah, saw the sign posted downtown. Do you still need help moving? I'm... not sure how much heavy lifting I can do," here he wiggles his cane for emphasis, "but I can direct traffic or finish any packing."
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Because there's still so much kitchen to get through. Angel's not sure he's planning on hosting anything anytime, he might not need so many plates. But something needs to be done with them.
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Bones
César then comes up with some things to keep his baby brother occupied. Rex is too young and just moved in with basically a new family in a new life; his emotions would be unmanageable. He'll be told once he's more secure.
And with all that handled, César gets on Estrella and heads over to
Eddie andAngel's farm. It's a familiar place that... he soon will be not seeing very often anymore. Ah. The animals, plants, and experiments will need to be distributed among the other farmers. Logistics that César can handle with the other farmers. That's not something Angel has to figure out on his own.He knocks at the farmhouse door, gentle but firm, in the same rhythm he always uses. "Angel, it's César. I'm here."
Re: Bones
"You're here."
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3
If the door isn't open (and she knows better than to expect it to be; this isn't a shiva, even if maybe it should be), she'll knock.
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The door is open, but that's because Angel and Eddie weren't in the habit of locking their door. Anyone coming out to the farm to see them is welcome in their home, and anyone looking to steal on this island probably needs it more than them. Angel is in the living room, going through the books there. Or. Trying to.
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step out
The Haruspex has nothing but free time nowadays.
So he shows up at the farmhouse, and is actually kind of surprised to see Angel there. Though at this point Artemy has gotten to know a good chunk of the townsfolks, he shouldn't be too shocked. Still, it's good to see a friendly face.
Angel doesn't look particularly happy to be in his current situation, but Artemy figures they aren't exactly close enough for him to ask about his current emotional state, so he instead just offers to help with the current physical task at hand.
"I saw that you need help moving?" He asks quietly.
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He's already started on most of the work, things in trunks and boxes.
"We'll load onto the cart out beside the house. Cady will bring it all to town for me."
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Step Out
"I don't mind taking over the greenhouse," First Aid tells Angel sadly. "It'll be a bit of a trek with no one else to see out here, but I'm the one best suited to make it. But I wonder if we shouldn't make plans to move it...if someone else comes along to take over the farm, they might want the space for their own projects..."
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Some things, you become familiar with without realising. The way the Kaspbrak farm felt as she passed by on her way to and from her own family's farmhouse, when it was occupied by two souls, is one of those things. Something is different, and it stalls Ruby enough that she ends up at the door, knocking and calling in, "Angel?"
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It's late enough in the day that he's given up on packing, but he doesn't really have other plans for how to fill the time, so he's just. Sitting on the couch, staring at the wall.
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