[OPEN] Moving
Who: Angel and Y'all
What: Moving Day and the Surrounding
When: Early December
Where: Yeah!
Warning(s):
1. So take your shaking bones
Eddie leaves on the ferry on a cold misty autumn morning, and Angel spends longer waiting for him to return to the farmhouse than it'll admit to afterwards, keeping a kettle warm on the stove for afternoon tea until the water's all boiled away and it's clear that how many lumps Eddie takes in a cup is irrelevant now, irrelevant ever again and Angel still doesn't want to admit it until it has to.
It has to.
And taking care of the farm, the bees and the temple all by itself just isn't going to be possible, it's not, even if its heart was hale and whole and beating in sync with Eddie's still, so something has to give.
Something has to.
Angel decides that it is going to move.
There are appointments with town hall to discuss possible new houses and apartments and townhouses (not homes, yet), and discussions of its beehives being transported into town, and paperwork to be filled out in a heavy, stiff, blocky hand as it figures out the work of transition, hoping that living in the city will be a replacement for the bustle of clucking hens and the nagging goat and it's going to need to get a stable situation set up for Arcadia, if the horse will forgive the relocation.
Angel is alone.
This is not work to be doing alone.
And that's before we get to the process of packing, of sorting through the debris of a life and a love and the twinge that reminds it that it can't cry every time it comes across a favored book or a shirt that still smells like Eddie, and that twinge is deeply painful enough to make it stop moving for seconds, perhaps minutes before it finds something to push it past inertia, even as it feels like some vital spark inside it is guttering and dimming.
This is not work to be doing alone.
2. And step out on your own
A sign on the bulletin board:
HELP WANTED MOVING. STANDARD PAY OFFERED: PIZZA AFTER WORK COMPLETE
3. Oh, the winter never stops
[This is your wildcard. It was meant for you.]
What: Moving Day and the Surrounding
When: Early December
Where: Yeah!
Warning(s):
1. So take your shaking bones
Eddie leaves on the ferry on a cold misty autumn morning, and Angel spends longer waiting for him to return to the farmhouse than it'll admit to afterwards, keeping a kettle warm on the stove for afternoon tea until the water's all boiled away and it's clear that how many lumps Eddie takes in a cup is irrelevant now, irrelevant ever again and Angel still doesn't want to admit it until it has to.
It has to.
And taking care of the farm, the bees and the temple all by itself just isn't going to be possible, it's not, even if its heart was hale and whole and beating in sync with Eddie's still, so something has to give.
Something has to.
Angel decides that it is going to move.
There are appointments with town hall to discuss possible new houses and apartments and townhouses (not homes, yet), and discussions of its beehives being transported into town, and paperwork to be filled out in a heavy, stiff, blocky hand as it figures out the work of transition, hoping that living in the city will be a replacement for the bustle of clucking hens and the nagging goat and it's going to need to get a stable situation set up for Arcadia, if the horse will forgive the relocation.
Angel is alone.
This is not work to be doing alone.
And that's before we get to the process of packing, of sorting through the debris of a life and a love and the twinge that reminds it that it can't cry every time it comes across a favored book or a shirt that still smells like Eddie, and that twinge is deeply painful enough to make it stop moving for seconds, perhaps minutes before it finds something to push it past inertia, even as it feels like some vital spark inside it is guttering and dimming.
This is not work to be doing alone.
2. And step out on your own
A sign on the bulletin board:
3. Oh, the winter never stops
[This is your wildcard. It was meant for you.]
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"Can I help?"
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No big deal.
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"Could I offer a bit of advice? From experience?"
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He can't help but feel helpless here. "Though. I'm sorry you have experience."
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Not the only reason, but a significant one. Eddie had been the one to love the dog and the chickens and the goat into being family. Angel had kept a polite distance from all of it.
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She's hoping she can at least organize them in stacks or boxes as Angel does the sorting, since she can't be much help with the sorting part.
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She pauses, considering how to phrase this.
"The way we do this back home, you get to take some time to just have the emotions before you have to start on the work."
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He sheepishly scratches at the back of his head. "Or at. Taking time."
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(She almost said go back to living, and caught it in time.)
"And the idea is, during that time people come to visit you and make sure you aren't alone with it all, and bring you food so you're taken care of."
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But the rest of him already knows the answer.
"Oh. Well. I don't have the same needs when it comes to food that everyone does. But. People around would be nice?"
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It is very deeply touched. Which might be the only way to get it to eat right now.
"I'll definitely eat it, then, if you made it and want me to eat it."
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And out of her bag she brings a large glass jar of the sourest mixed pickles she's been able to make -- cucumber, green tomato, carrot, and sweet pepper -- and another jar of her best local approximation (lacking some ingredients) of hot-and-sour soup.
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Since she remembers him saying, the first they met, that strong sour and spicy flavors worked best for him.
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He's a little overwhelmed by how thoughtful, that someone would consider his wants while thinking of his needs.
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And for now, the important thing is that Angel knows he isn't wholly alone in this time of loss.
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...and have an excuse to have company at some future point.
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