deepbluerevue (
deepbluerevue) wrote in
ph_logs2025-11-09 06:16 pm
When You’re Down And Out | OTA
Who: Grace Holloway (
deepbluerevue) & sundry (You)
What: Grace’s return to Pumpkin Hollow
When: November 9th to 14th (roughly)
Where: Downtown and the Oak & Iron
Warning(s): Rapture in the late 1950s into the 1960s was a tough place to live, but Grace is unlikely to bring such things up of her own accord.
Winter is rapidly approaching Marrow Isle, and anyone with the wardrobe to do so is bundled against the weather. The middle-aged woman in a new arrival’s garb, on the other hand, has her girlishly-round jaw clenched against the cold, the hand not holding her cane tucked casually in her pocket. She doesn’t look overwhelmed, per se, but there’s a definite air of measurement as her eyes flick over each shop in turn. Particularly, she seems to assess the newer shops, and those selling clothing.
If one had to guess, one would probably say the woman is in her late thirties, perhaps early forties. The few lines on her face speak to some time spent frowning and a lot of time spent smiling. Her coily hair is expertly coiffed into a simple, protective updo. When she shifts in her simple boots, her left leg seems a little less able to bend at the knee.
Given how uncomfortably chilled she looks, she’ll probably move into a shop soon.
(This is a great opening for a clothier!)
It’s not quite dark, so the Oak and Iron still has plenty of custom, though people intending to spend the night at home are starting to trickle out. On an end of the bar with a good vantage point, a middle-aged woman clad in a white linen blouse, a light brown waistcoat, and a long brown skirt sits with ankles crossed and nurses a glass of wine. A few people seem to double-take on seeing her, going over for a few minutes of conversation, to which she smiles, clasping their hands companionably or nodding or something similar.
Someone with a guitar is strumming out background music, and the woman politely applauds every finished number.
For other ideas and ways to exploit Grace’s disorienting return, PM me!
What: Grace’s return to Pumpkin Hollow
When: November 9th to 14th (roughly)
Where: Downtown and the Oak & Iron
Warning(s): Rapture in the late 1950s into the 1960s was a tough place to live, but Grace is unlikely to bring such things up of her own accord.
DOWNTOWN PUMPKIN HOLLOW (after Grace has been to City Hall)
Winter is rapidly approaching Marrow Isle, and anyone with the wardrobe to do so is bundled against the weather. The middle-aged woman in a new arrival’s garb, on the other hand, has her girlishly-round jaw clenched against the cold, the hand not holding her cane tucked casually in her pocket. She doesn’t look overwhelmed, per se, but there’s a definite air of measurement as her eyes flick over each shop in turn. Particularly, she seems to assess the newer shops, and those selling clothing.
If one had to guess, one would probably say the woman is in her late thirties, perhaps early forties. The few lines on her face speak to some time spent frowning and a lot of time spent smiling. Her coily hair is expertly coiffed into a simple, protective updo. When she shifts in her simple boots, her left leg seems a little less able to bend at the knee.
Given how uncomfortably chilled she looks, she’ll probably move into a shop soon.
(This is a great opening for a clothier!)
THE OAK AND IRON (after Grace has gone shopping)
It’s not quite dark, so the Oak and Iron still has plenty of custom, though people intending to spend the night at home are starting to trickle out. On an end of the bar with a good vantage point, a middle-aged woman clad in a white linen blouse, a light brown waistcoat, and a long brown skirt sits with ankles crossed and nurses a glass of wine. A few people seem to double-take on seeing her, going over for a few minutes of conversation, to which she smiles, clasping their hands companionably or nodding or something similar.
Someone with a guitar is strumming out background music, and the woman politely applauds every finished number.
WILDCARD
For other ideas and ways to exploit Grace’s disorienting return, PM me!

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"Hey," he says, gesturing to a seat across from a woman he doesn't recognize and trying to remember to compensate for his resting stony expression by actually remembering to smile. It mostly works, though he looks a little haggard behind it. "You mind if I sit here?"
The inn's busy enough that doubling up on tables is necessary, but he'll happily find another seat if she'd rather be alone. Leon's not the most canny guy in the world, but he knows how some people find being approached by a police officer in uniform less than relaxing by now, even if he is off duty at the moment.
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“I don’t mind at all, sir,” she says, gesturing at the chair with humorous regality. “Please do. Grace Holloway,” she adds. “I’m afraid we haven’t been introduced?”
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"Leon Kennedy," he replies, nodding politely and gesturing as if tipping an invisible hat, his smile going more genuine. "Good to meet you, Grace. Are you new in town? Don't think I've seen you around before."
It's possible he just missed her, of course, but it bears asking. On the one hand, it's a small island, but on the other he did spend the last few months burying himself in work as thoroughly as he could manage, and knows for a fact that a few newcomers managed to slip under his radar.
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Grace takes a very small sip of wine to cap her little recitation.
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"Huh," he says. "Funny. Same thing happened to me about a year ago, actually. Though I think I only missed a few months, not, uh. Years."
He sounds very sympathetic and a little concerned. How disorienting must that be, if he was so out of sorts after only a fraction of that time?
"You need any help catching up on what's been happening around here?" he offers. "By the sound of it I think I showed up for the first time a little ways after you got back on the ferry, but if you've already heard the latest gossip I won't bother you by rehashing it."
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“If I’m to be honest with you,” she continues, leaning a little closer, “people’ve been real gracious about catching me up, but they all think of different things. I think the only way I’m ever getting fully up to speed is if I hear from anyone who’ll talk!” She winks, briefly. “Which is to say, I’m all ears, young man.”
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"Let's see... I'd say the most important thing that happened since I showed up was that we found out who put up the barrier keeping Marrow Isle separate from the rest of the world - more or less. Some months back, a handful of people wound up pulled into a vision of the ritual that caused it - carried out by cultists serving a god called -"
And here Leon pauses briefly, making sure he's got the syllables right in his head before speaking.
"- Nyarlathotep. Now, why they wanted that is still a little up in the air, but we've got someone to blame other than just shrugging and saying it's probably the demons, at least. Oh, and speaking of which, two of the demon princes are now dead."
He drums his fingertips on the table, thinking over the details.
"Not entirely sure about the specifics of what happened to Mendel, but he went down during Dahlia's birthday party last year, and Efrain got taken out by one of ours back in spring of this year, thanks in part to a little backstabbing by his brother Aster. Seems like things are starting to come to a head when it comes to their politics, so we can probably expect to be seeing more of him and Eligos soon. But other than that, I think it's mostly been a lot of comings and goings."
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She looks back at Leon, a wry smile twisting her mouth. “Did you know, I think I got cursed by ‘Aster’ just before I was sent back? A dancing plague. Sprained every bit of my legs, it felt like.” Right now, her legs are very still where they rest on the bar stool. Not even fidgeting.
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"And that sounds about par for the course. On that note I guess on top of all that I should let you know - the last big island-shaking happening was a pretty rough one. So. If everyone seems kind of not okay right now, I promise it's not you."
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Oak and Iron
He likes to keep track of everyone and greet the newcomers.
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He's slightly surprised by the question. "Yes, I do." He shakes her hand in a warm grasp. "I am Sephiroth."
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He’s wearing gloves, as is usual for him, so he wouldn’t be able to feel how her hand feels. But he smiles and nods at the offer of a seat. “Thank you.” He sits. He will be happy to visit for a little bit.
“You said it’s not your first time here. You left and came back?”
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“That’s right.” She swirls the wine in her glass. “Can you believe it? And just when I felt like I was really settling in here, too. Didn’t even get to enjoy being alive for those few seconds, my head hurt too much.” She chuckles, inviting him in on the humor.
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Well, he supposes it's good she can laugh about it. He has a dark sense of humor sometimes himself.
"Time passed differently between here and there?"
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She takes a longer sip of wine. “How about yourself?” she asks, voice friendly. “Settled in?”
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CW: Mention of past child abuse
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Wrap?
Sure. Thank you for the thread!
the oak and iron!
Shy but friendly. Hand lifted in a wave, he's tipping his head in greeting to anyone he makes eye contact with as he moves further into the place, bringing a gust of crisp autumn air in with him. Most everyone he sees is a stranger to him, but he's trying to get out and about, meet more faces, get to know folks.
James settles in to listen to the music for a bit, but also to observe the place, and it's not long at all before he takes notice of the way multiple people get up to greet the woman not far from where he's sitting. It's enough to stand out, and when another song starts up, James moves over to her, offering another shy but warm smile, a little playful.
"I'm sorry to bother you, but I gotta ask — are you a celebrity around here?"
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"It's very nice to meet you, Grace. You— you said you've been gone awhile? Do you mean... from town?"
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"You went back home?" And came back here, again? He didn't know such a thing was possible, and the idea of it is... a particular horror.
"I'm sorry. That must be... so jarring." To say the absolute least. James' brows pinch in empathy, more than mildly disturbed by the concept that the poor woman escaped this place, only to find herself back in it.
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"You remember... being hit on the head?" Something must have... killed her again, right? Or almost. That's how they come here. "Did someone..." James hesitates, worries his lip; the question feeling too much, too personal, but at the same time there's something that binds them all together here, as macabre as it is. Death. "Did someone hurt you?"
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Going unsaid:
(Now, were half the Droppers in question evacuating with her because they’re too ADAM-addled to get to the train without her personally leading them there? Sure. But the other half is steady, and everyone in the Pauper’s Drop Family knows to mind Miss Gracie first.If this ends up with her getting jabbed with a medpack to bring her back to life — well, she’ll take the consequences of that over lying on the ground to drown.)
cw: a lot of Death Talk, just in case
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