cyansoldier (
cyansoldier) wrote in
ph_logs2025-05-08 08:53 am
This is a Foul-Tasting Medicine | OTA
Who: Agent Carolina (
cyansoldier) & You.
What: Carolina adjusts poorly to Caboose's sudden absence. Among other things.
When: Early May.
Where: Around town.
Warning(s): Brief mention of dead deer, gun usage.
I won't turn around or the penny drops.
She hasn't seen Caboose in days. Not since she'd squatted in his ramshackle porch on Crane's Ridge summit, shoulder to shoulder. When morning peeled through the trees, they walked together. Her, in silence. Him, remarking on whatever interesting thing he saw. Bugs, mostly.
She doesn't think twice about his absence—at first. Caboose, like a large and excitable dog, tracks what most interests him. Animals, people, machines if there are any. She'll find him. It's fine. Don't worry about it.
She searches for him at the Ranch. Said he'd wanted cows.
She searches for him in the woods. Plenty to distract him there.
She searches for him in town. Maybe someone's seen him. Big and tall, curly hair. Probably said something stupid.
As a last resort, Carolina stalks to Town Hall. She's on edge. She pushes through the door like it's just attacked her. Michael J. Caboose. I need to find him. Can you tell me his address? An odd look from the desk. I know him. It's important. Please.
He's gone. People come and go, ma'am.
She leaves angry and humiliated. Feels sick. It doesn't make any sense. Why would he leave? To-ge-ther, he said in his broken tones. What an idiot. She's an idiot for believing she could trust him— trust anyone to hold tender a shred of her feelings. Comfort like newly shattered glass stuck in her hands and face and chest.
She doesn't need him.
She should be training.
Won't stop now / Won't slack off. [OTA]
She moves like a shark. No moment of peace. No chance to rest.
Carolina picks through produce like a soldier in the midst of a deadly stealth mission, peering over her shoulder every fifth step for signs of danger and looks so suspicious that she's confronted about stealing.
She jogs at the outskirts of the residential areas (avoiding Connecticut while also keeping the possibility of seeing her squarely at the front of her brain). Slides in the dark nooks between buildings to catch her breath and spit. Sometimes she lingers with her arm and forehead butted up against the wall. Numb. Staring at nothing. Feeling her lungs swell and deflate with the effort she puts into moving, moving, moving.
Most days she can be found marching to the Oak & Iron with a deer slung around her shoulders, its horned head bobbing limply. She tries to feel good about it. She'll get a few pieces of Brass and the people will have venison to enjoy. She tries, and feels empty.
From her farmhouse are the usual sounds of gunshots and split wood. Maybe you find her cleaning her Colt Revolving Shotgun, perhaps the only thing she's really grown to care about in this place. Tread carefully. She's trained to shoot on sight.
This dance / Is like a weapon. [Wildcard]
( Have something else in mind? Shoot! )
What: Carolina adjusts poorly to Caboose's sudden absence. Among other things.
When: Early May.
Where: Around town.
Warning(s): Brief mention of dead deer, gun usage.
( Strike up the tinderbox / Why should I be good if you're not? )
I won't turn around or the penny drops.
She hasn't seen Caboose in days. Not since she'd squatted in his ramshackle porch on Crane's Ridge summit, shoulder to shoulder. When morning peeled through the trees, they walked together. Her, in silence. Him, remarking on whatever interesting thing he saw. Bugs, mostly.
She doesn't think twice about his absence—at first. Caboose, like a large and excitable dog, tracks what most interests him. Animals, people, machines if there are any. She'll find him. It's fine. Don't worry about it.
She searches for him at the Ranch. Said he'd wanted cows.
She searches for him in the woods. Plenty to distract him there.
She searches for him in town. Maybe someone's seen him. Big and tall, curly hair. Probably said something stupid.
As a last resort, Carolina stalks to Town Hall. She's on edge. She pushes through the door like it's just attacked her. Michael J. Caboose. I need to find him. Can you tell me his address? An odd look from the desk. I know him. It's important. Please.
He's gone. People come and go, ma'am.
She leaves angry and humiliated. Feels sick. It doesn't make any sense. Why would he leave? To-ge-ther, he said in his broken tones. What an idiot. She's an idiot for believing she could trust him— trust anyone to hold tender a shred of her feelings. Comfort like newly shattered glass stuck in her hands and face and chest.
She doesn't need him.
She should be training.
Won't stop now / Won't slack off. [OTA]
She moves like a shark. No moment of peace. No chance to rest.
Carolina picks through produce like a soldier in the midst of a deadly stealth mission, peering over her shoulder every fifth step for signs of danger and looks so suspicious that she's confronted about stealing.
She jogs at the outskirts of the residential areas (avoiding Connecticut while also keeping the possibility of seeing her squarely at the front of her brain). Slides in the dark nooks between buildings to catch her breath and spit. Sometimes she lingers with her arm and forehead butted up against the wall. Numb. Staring at nothing. Feeling her lungs swell and deflate with the effort she puts into moving, moving, moving.
Most days she can be found marching to the Oak & Iron with a deer slung around her shoulders, its horned head bobbing limply. She tries to feel good about it. She'll get a few pieces of Brass and the people will have venison to enjoy. She tries, and feels empty.
From her farmhouse are the usual sounds of gunshots and split wood. Maybe you find her cleaning her Colt Revolving Shotgun, perhaps the only thing she's really grown to care about in this place. Tread carefully. She's trained to shoot on sight.
This dance / Is like a weapon. [Wildcard]
( Have something else in mind? Shoot! )

Wrap soon?
She's quiet for a while, looking out into the yard discretely. Better to give space in times like these than try to command the exhaustion out of someone. To force them into lifting their head when they're already so weighted.
And it worked, this silence. Most of the time. She'd perch bench-side with South, listening to her invent expletives for ten, sometimes twenty minutes at a time, but there regardless. And after the fire extinguished, she'd stand, unflinching. 'Done?' And South would follow.
And Maine, silence already so integrated into his existence. He was easiest to learn. To know. Her favorite, apart from York— although she'll deny picking favorites at all. She'd become familiar enough with these silences that their nuance revealed themselves; grunts, sniffs and head movements his own unique sentence structure. And whereas others deterred to voicing his thoughts aloud for him, she sat quietly. Sometimes for hours.
Connie was always a little harder. Always a distance away.
"My address is 475 Strawberry Fields Straight. You said you wanted to know. Maybe you already do, since you're so good at that." There's no malice in the remark. "If you think of any more questions, or if you want to talk— about anything— you can find me there."
A pause.
"We don't have to keep doing this to ourselves."
yes!
One of the strangest things about those years in the program, when Connie became CT and living on the ship started to feel like standing on a bear trap waiting for it to close, was how even in a room bustling with people the world felt quiet.
More than just feeling alone in a crowded room. Chatter that felt empty, words that meant nothing, voices she could barely hear even though they were right there. Silence amidst noise. Even the emptiness of the observation deck during long, lonely nights felt louder, filled with questions and expectations and work to be done. But a locker room full of her friends, bantering and arguing and talking, utterly and wilfully oblivious to the noose waiting to cinch around their throats, that was the quietest place of all.
Her hands fall. Her head lifts part-way.
"...mm, maybe we don't," is all she manages to say.