deepbluerevue (
deepbluerevue) wrote in
ph_logs2023-07-30 06:11 pm
Early August Catch-All and Intros
Who: Grace Holloway (
deepbluerevue) & sundry (You)
What: Grace’s musical performances (ranging from her debut to all the gigs afterward). These will be her introductions to most of the town’s residents!
When: Three days after Grace’s arrival <-> Mid-August
Where: Various venues for live music gigs around town (restaurants, lounges, taverns)
Warning(s): Rapture in the late 1950s into the 1960s was a tough place to live, though Grace is unlikely to bring such things up of her own accord.
PRE-SHOW [Music venue, such as a restaurant, lounge, or the Oak & Iron]
It’s mid-afternoon, and the venue is sparsely populated by customers. Besides the employees, though, there’s a woman in a simple ensemble of a long brown skirt, linen shirt, light brown vest, and tidy women’s boots, the outfit completed by an ill-matching, utilitarian walking cane in her left hand. Her tightly-coiled hair is swept back into an elegant but unadorned chignon, and as she moves from spot to spot in the venue, staring at the performance area at each stop, there’s a growing crease between her curved, pencilled brows, red lips pursed together.
As someone approaches, however, the crease disappears, replaced by a warm smile. “Hello there. You looking for something?”
SHOW + POST-SHOW [Music venue, such as a restaurant, lounge, or the Oak & Iron]
By no means was the live performance flashy. It hardly could be, not when the performer merely walked to the area cleared for her, introduced herself as Grace Holloway, and, after a half-minute or so of casual conversation to match the mood of the audience, sat herself upon a tall wooden stool and, with no accompaniment, began to sing.
At venues such as these, with a newcomer artist such as her, the musician is meant to be background entertainment, and Miss Holloway arranges her set accordingly: her voice is a smooth, well-supported croon, transitioning seamlessly from teasing paeans of good times to wry, melancholy blues of the bad, and back again. The set lasts for a full hour, until most people are done with their meals, and Miss Holloway concludes with a jaunty march, bowing to scattered applause before disappearing into the back halls.
Miss Holloway reappears some fifteen minutes later, a glass of water in her right hand, and seats herself at an empty table. She looks slightly tired, but mostly vibrant — if not happy, then at least content.
FOR MAYOR POE [Town Hall]
The fourth time Grace Holloway found her way to the Town Hall with business in mind, she discreetly kicked a little bit of wood into the front door jamb to keep it propped open. Fool her twice, shame on her. Though whatever power locked her in likely wouldn’t be much incommoded by a little thing like that, it made her feel slightly better to take some precaution.
The mayor’s office door was slightly cracked, and Grace knocked lightly on the frame. “Excuse me, Mayor Poe? Would you happen to have a minute?”
What: Grace’s musical performances (ranging from her debut to all the gigs afterward). These will be her introductions to most of the town’s residents!
When: Three days after Grace’s arrival <-> Mid-August
Where: Various venues for live music gigs around town (restaurants, lounges, taverns)
Warning(s): Rapture in the late 1950s into the 1960s was a tough place to live, though Grace is unlikely to bring such things up of her own accord.
PRE-SHOW [Music venue, such as a restaurant, lounge, or the Oak & Iron]
It’s mid-afternoon, and the venue is sparsely populated by customers. Besides the employees, though, there’s a woman in a simple ensemble of a long brown skirt, linen shirt, light brown vest, and tidy women’s boots, the outfit completed by an ill-matching, utilitarian walking cane in her left hand. Her tightly-coiled hair is swept back into an elegant but unadorned chignon, and as she moves from spot to spot in the venue, staring at the performance area at each stop, there’s a growing crease between her curved, pencilled brows, red lips pursed together.
As someone approaches, however, the crease disappears, replaced by a warm smile. “Hello there. You looking for something?”
SHOW + POST-SHOW [Music venue, such as a restaurant, lounge, or the Oak & Iron]
By no means was the live performance flashy. It hardly could be, not when the performer merely walked to the area cleared for her, introduced herself as Grace Holloway, and, after a half-minute or so of casual conversation to match the mood of the audience, sat herself upon a tall wooden stool and, with no accompaniment, began to sing.
At venues such as these, with a newcomer artist such as her, the musician is meant to be background entertainment, and Miss Holloway arranges her set accordingly: her voice is a smooth, well-supported croon, transitioning seamlessly from teasing paeans of good times to wry, melancholy blues of the bad, and back again. The set lasts for a full hour, until most people are done with their meals, and Miss Holloway concludes with a jaunty march, bowing to scattered applause before disappearing into the back halls.
Miss Holloway reappears some fifteen minutes later, a glass of water in her right hand, and seats herself at an empty table. She looks slightly tired, but mostly vibrant — if not happy, then at least content.
Note:
For Grace’s range, think Sheryl Lee Ralph’s voice performing Bessie Smith’s oeuvre. You can find an example on Grace’s journal!FOR MAYOR POE [Town Hall]
The fourth time Grace Holloway found her way to the Town Hall with business in mind, she discreetly kicked a little bit of wood into the front door jamb to keep it propped open. Fool her twice, shame on her. Though whatever power locked her in likely wouldn’t be much incommoded by a little thing like that, it made her feel slightly better to take some precaution.
The mayor’s office door was slightly cracked, and Grace knocked lightly on the frame. “Excuse me, Mayor Poe? Would you happen to have a minute?”

Post Show - Smokes
So he doesn't appear. Not until the end of the show, not until Grace is sat down for her post-performance rest, stepping out of the visually sheltered corner he'd chosen, shimmering into visibility. He keeps his footsteps light, although Grace would still be able to tell it's him by the way the wood flooring creaks under his weight.
A large, armored hand sets down a pack of cigarettes next to her in offering.
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She fully turns in her seat to stare at him. “Where in the hell were you hiding?” she asks, perplexed into bluntness.
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Sticking the smoke into his air inlet, he pulls out the slate and chalk Grace had given him.
tonic, he writes simply.
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She picks up the box and taps a smoke out with a practiced motion. “Take a knee, sir. If I keep staring upward much longer, I’m going to hurt my neck.”
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Wrap?
Wrap!
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Oak & Iron!
Her feline ears flick up, tail swishing with excitement as Grace finishes her set. Now's her time to entertain! One of the locals provides a jaunty strummed tune for background as she takes to the cleared space. Every inch of it she uses in some fashion or another, a seemingly bottomless font of energy for her whole allotted time, twisting swishing, twirling and tumbling through an improvised dance to match the music at its every twist and turn.
After taking her bow, Mo'rtajha scans the crowd and hopes to see Miss Grace still about somewhere. She's a new face in town and the miqo'te wants to at least say hello to a fellow performer!
Oak & Iron greetings!
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"Madame Grrrrace, your voice is utterly divine!" The miqo'te woman rolls her r's in an over-exaggerated way as she claps her hands together with delight. "I haven't heard anything like that music before! Tell me, is it from whence you hail?"
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“And you’re Miss Mo’rtajha, right?” The name rolls off of Grace’s tongue with an ease that’s perhaps surprising. Could she have practiced ahead of time? “I’ve never seen dancing quite like that before, either.” She smiles. “Damn good improvisation. You must’ve been dancing for a while.”
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Oak & Iron [After Their First Conversation]
Wrong on both counts. Once the music starts, neither the food nor their notes get touched; they listen, enraptured. The musical style isn't completely strange, reminding Jean of things they've heard before, but it's different enough that they can't take their eyes off the stage.
Their food, untouched, is cold by the time the spell over them is broken. Possibly notable as well is that somewhere along the line this tiny nugget picked up the habit of orchestral applause rather than clapping; their boots stomp in that quick, steady rhythm of appreciation.
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After the show, she still heads for her own table, but she gives Agent Jean a nod as she sits down. And, after all, her table has more than one chair.
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This poor creature needs communism
Grace: damn, you live like this?
THEY SURE DO
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Wrap?
Wrap! Poor Jean 😂
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He finds that he's surprised he likes Pumpkin Hollow so much, he is enjoying his time appretancing as a black smith. He also fishes now and again to make an extra buck. It's been a nice life so far, at least better than what he would have had back home.
He finds a woman, regal and dark skinned by herself. She seems pretty but a bit older. Ah, she was the woman who had been performing. He had watched her from the doorway, partly interested. She had a nice voice, carried and raspy. At least it sounded that way to him.
He approached quietly.] Mind If I sit here?
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"I did. Your voice kinda sooths away troubles from the mind. I'm sure you've heard that before."
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Oak & Iron - Post Show
"Sarsparilla. Lucked out, they keep some on hand here." The Shade explains in his warm drawl, moving around to the other chair at her table. "My way of sayin' you put on a hell of a show, ma'am."
Little bit of an understatement, that--rock 'n roll and the blues are a bit after his time, but hell if the spirit of those tunes don't call to him in a strange and lovely way that made his chest ache when she sang...
"My name's Joe, mind if I join you?"
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She takes a measured sip of the foamy soda, and a more unguarded smile tugs at her lips as the cold, bittersweet taste flows and sparkles across her tongue. How long’s it been since she had real sarsaparilla? Years, for sure, but how many?
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"Good, ain't it?" he chuckles, nostalgic warmth in his features. "First sip I had when I got here--boy, I tell you what, 'bout fell over I was so happy."
The word feels stilted on his tongue--but it fits that bright feeling in his chest when he thinks of it.
"Best drink I had. Ever." he sighs with a flat out grin. "Never did appreciate the little things my first time 'round--but lookit me, you'd think I was on the clock the way I'm talkin'. Mind if I ask where you're from? Guessin' you ain't local singin' songs like that."
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Pre-Show
He wasn't sure which embarrassed him more--- being busted, or the fact that she was so nice about it.
"No, I'm not looking for anything," he muttered. "But you seemed to be."
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Wrap?