Chris Freeman (
thelatechrisfreeman) wrote in
ph_logs2023-11-03 11:09 pm
I think you ought to walk with me and be safe [November Open]
Who: Chris Freeman & ... First Aid (
lovinglefthand) / Erik Osborne (
lordoftheozarks) / River la Croix (
somebodychildofanyone) / The Shade (
deaths_head) ... & YOU!
What: catch-all, wildcard, and promised threads
When: in-game November, post-Pumpkinfest
Where: All around town
Warning(s): discussions of trauma, past deaths (in-game and backstory) are likely; probably NSFW in the Erik thread, lbr... mind the comment headers if anything else comes up.
OPEN - Hey there Little Red Riding Hood, you sure are lookin' good...
Chris happens to find the idea of seniority based on who's been on Marrow Isle the longest to be an absurd way to organize things. Dr. Winterbottom, despite her retirement, is the final authority for medical matters because she's a local and has the most experience out of all of them. Chris isn't sure exactly how to organize everyone else, but they consider themself at the bottom of the rankings, having only book learning, some experience as a medical assistant, and employment history as a coroner.
So it's not unusual to see Chris taking on the 'drudge work' -- arranging appointments for people, making home visits for follow up purposes, arranging supply contacts for 'the real doctors' to get the things their clinics need. This frees up people like Sally Boyle, First Aid, Dr. Pierce, and Dr. Watson to do the things that only they -- trained and experienced pharmacologists, doctors, and surgeons -- can do.
It's very likely to see Chris somewhere around town on an errand of some sort, or even visiting the outskirts to keep tabs on people who live away from the town center.
CLOSED to First Aid - You spent your stipend on THAT?
"You got the general store to tell you what grocery package I bought for next month?" Chris asks. They fold their arms over their chest defensively. "I'm an adult, you know. I can spend my money as I please."
The confrontation with First Aid is most likely taking place at the Winterbottom Clinic after hours. Seems that First Aid is very serious about making sure that everyone is as healthy as possible. Including their co-worker Chris.
CLOSED to Lord Erik Osborne - I promised you a fashion show...
Chris finally accepted their fate as one of Dr. Agnes Winterbottom's sucessors, and took over running her clinic at the end of October. As of November first, they've been given a small house within walking distance of said clinic, and moved their few material possessions from a room at the Oak and Iron into the house.
Chris asked Sam to deliver a letter to Erik -- and the vampire lord will find that it's an invitation to visit Chris's new home.
Part of it reads: 'Any evening that you're free, just give me a day's notice so I won't be on call that night. I promised you a little fashion show, remember?'
(Which may be enticing on its own, but this also gives Erik a chance to satisfy his curiosity about Chris's powers. Answering questions in private is usually more comfortable.)
CLOSED to River - A miracle of food engineering... (and maybe other engineering too)
Despite slightly rocky interactions -- Chris cried during their first conversation, and River accidentally sliced her fingers during their second -- Chris is actually feeling pretty good about a friendship with the head blacksmith of Infernal Arms and Armor.
And because it worked so well last time (with Sam), Chris trades in one of their last food vouchers for some savory hand pies from the Oak and Iron's kitchens. Come lunch time, they are at River's forge with a basket of food to share.
Has River been introduced to the idea of hand pies yet?
Chris also has some ideas for a bed -- an old design in their own world, not available on Marrow Isle -- that could help with post-surgical recovery. Zie wants to talk about the idea with River, and see if fabricating the parts is doable... either with her team, or from John who does less weapon-related forging.
CLOSED to The Shade - Death dad and death son go a-hunting
Both Chris and the Shade have a connection to death, something that the Shade could easily see when they met at a shooting game during Pumpkinfest. That hadn't been the right venue to get more information on using that connection to death with a weapon, as the Shade offered to teach them about... but some time in November?
Chris heads over to the Shade's place one morning, at his invitation. They've got their most sturdy shoes and sensible clothes on (no skirts or slippers today), and just their first aid kit in their ever-present bag. Chris isn't quite sure what these lessons will entail, but they are determined to be a good student.
OPEN - Wildcard
Did I promise something with Chris and forget it? It happens, my brain is a garbage fire. Feel free to toss anything at us here.
What: catch-all, wildcard, and promised threads
When: in-game November, post-Pumpkinfest
Where: All around town
Warning(s): discussions of trauma, past deaths (in-game and backstory) are likely; probably NSFW in the Erik thread, lbr... mind the comment headers if anything else comes up.
OPEN - Hey there Little Red Riding Hood, you sure are lookin' good...
Chris happens to find the idea of seniority based on who's been on Marrow Isle the longest to be an absurd way to organize things. Dr. Winterbottom, despite her retirement, is the final authority for medical matters because she's a local and has the most experience out of all of them. Chris isn't sure exactly how to organize everyone else, but they consider themself at the bottom of the rankings, having only book learning, some experience as a medical assistant, and employment history as a coroner.
So it's not unusual to see Chris taking on the 'drudge work' -- arranging appointments for people, making home visits for follow up purposes, arranging supply contacts for 'the real doctors' to get the things their clinics need. This frees up people like Sally Boyle, First Aid, Dr. Pierce, and Dr. Watson to do the things that only they -- trained and experienced pharmacologists, doctors, and surgeons -- can do.
It's very likely to see Chris somewhere around town on an errand of some sort, or even visiting the outskirts to keep tabs on people who live away from the town center.
CLOSED to First Aid - You spent your stipend on THAT?
"You got the general store to tell you what grocery package I bought for next month?" Chris asks. They fold their arms over their chest defensively. "I'm an adult, you know. I can spend my money as I please."
The confrontation with First Aid is most likely taking place at the Winterbottom Clinic after hours. Seems that First Aid is very serious about making sure that everyone is as healthy as possible. Including their co-worker Chris.
CLOSED to Lord Erik Osborne - I promised you a fashion show...
Chris finally accepted their fate as one of Dr. Agnes Winterbottom's sucessors, and took over running her clinic at the end of October. As of November first, they've been given a small house within walking distance of said clinic, and moved their few material possessions from a room at the Oak and Iron into the house.
Chris asked Sam to deliver a letter to Erik -- and the vampire lord will find that it's an invitation to visit Chris's new home.
Part of it reads: 'Any evening that you're free, just give me a day's notice so I won't be on call that night. I promised you a little fashion show, remember?'
(Which may be enticing on its own, but this also gives Erik a chance to satisfy his curiosity about Chris's powers. Answering questions in private is usually more comfortable.)
CLOSED to River - A miracle of food engineering... (and maybe other engineering too)
Despite slightly rocky interactions -- Chris cried during their first conversation, and River accidentally sliced her fingers during their second -- Chris is actually feeling pretty good about a friendship with the head blacksmith of Infernal Arms and Armor.
And because it worked so well last time (with Sam), Chris trades in one of their last food vouchers for some savory hand pies from the Oak and Iron's kitchens. Come lunch time, they are at River's forge with a basket of food to share.
Has River been introduced to the idea of hand pies yet?
Chris also has some ideas for a bed -- an old design in their own world, not available on Marrow Isle -- that could help with post-surgical recovery. Zie wants to talk about the idea with River, and see if fabricating the parts is doable... either with her team, or from John who does less weapon-related forging.
CLOSED to The Shade - Death dad and death son go a-hunting
Both Chris and the Shade have a connection to death, something that the Shade could easily see when they met at a shooting game during Pumpkinfest. That hadn't been the right venue to get more information on using that connection to death with a weapon, as the Shade offered to teach them about... but some time in November?
Chris heads over to the Shade's place one morning, at his invitation. They've got their most sturdy shoes and sensible clothes on (no skirts or slippers today), and just their first aid kit in their ever-present bag. Chris isn't quite sure what these lessons will entail, but they are determined to be a good student.
OPEN - Wildcard
Did I promise something with Chris and forget it? It happens, my brain is a garbage fire. Feel free to toss anything at us here.

I promised you a fashion show
Chris,
I am free in two evening's time. I can't bear to wait any longer than that to come see for myself.
Sincerely yours,
Lord Osborne
It is now the appointed evening, and Erik has donned one of his finer suits to come pay Chris a visit. He knocks on the door and waits for an answer.
no subject
"You got all dressed up for me, Lord Osborne?" Chris asks, with a little laugh.
When they close the door, and lean back against it, Erik will get a look at what they're wearing. It is indeed a little lacy thing... black lace with floral patterns, looking stark and striking against Chris's pale skin, with solid strips of fabric forming the border for the neck and front of the robe. It has short sleeves and ends just short of the knees, each with a fancy scalloped trim.
Chris doesn't seem to be wearing anything other than the robe.
no subject
His eyes widen with delight as he steps in and beholds them in their lovely lace robe. "A very special occasion. You look good enough to eat."
no subject
"I'm very glad you like it. And..." Chris pauses, and runs a hand downward along the buttons on Erik's front, "I hope... that you're recovered from the last time we saw each other... in the arena."
Their words are hesitant, but Chris looks into Erik's eyes steadily, hopeful. Hopeful that the two of them can be okay, despite what happened before.
"I see that you're physically all right, but I mean... I gave you space after and I hope that was the right thing to do."
no subject
His hands settle on Chris's hips when they come close, and they squeeze lightly as they ask that question. He can see the worry, and he wants nothing more than to soothe it away.
"I'm fine. It wasn't the pleasant end to the day that I'd hoped for, but I have endured much worse. It's you I worry after. I thought you were the one who needed space." He reaches one hand up to cup their cheek. "Of course, I don't hold it against you. What you did, though it did not feel like it to you, was a kindness for me. Still, I'm sorry I had to ask such a thing of you. For me, it changes nothing of my feelings for you. It only strengthens them, in fact. You did what I needed of you."
no subject
The mood feels like it has shifted somewhat, to something more serious. More honest, maybe? But regardless, Chris is taking comfort in Erik's words and closeness.
no subject
no subject
"All I did was scream. It didn't matter what they did to me after... I was already hurting too much to care. They wanted to break me and I was broken."
Chris says it steadily, softly... just a simple statement.
no subject
At length, he finally brings himself to ask, "Is there some way I can make this up to you?"
no subject
Chris gives Erik another squeeze and takes a step back. They kiss him on the forehead and then take his hand to lead him to the bedroom, if he agrees.
no subject
"I like being with you too. I'd like to know more about you."
no subject
Chris spent plenty of time with the dead before now, in a professional capacity, and is well aware that they don't hold warmth for long or very well. So it's no surprise that the undead Lord Erik is similar.
They crawl into the bed, and turn toward Erik when he lies down as well. After a soft kiss to the lips, Chris says, "You can ask whatever you like. I'll be an open book for you, my lord."
no subject
"I'm curious what other abilities you have. You've witnessed quite a few of mine, now."
no subject
Chris takes a moment to focus on the feeling of reaching for the Between, and their eyes film over with that red glow. They blink once, twice, and then the glow is gone -- leaving their normal blue eyes looking out at Erik.
"I feel the pull of going there quite often. Like there's part of me tethered to the Between instead of the living world. And sometimes I wander deeper and find the long dead waiting for me. Waiting to talk to me. And I'll forget, for a time, that I'm a part of the physical world."
no subject
He could hide the alarm from his face if he really wished to, but he lets Chris see it. See the care in it. "It's troubling that it has such pull on you. How did this come to be?"
no subject
Which, you know, just might be more of the answer for what happened after Erik died in the arena...
Chris closes their eyes for a moment, against that care and alarm. It hurts to see, but... they also can't ignore it. They open their eyes again and stroke a hand through Erik's hair. It takes a while for Chris to get the composure to actually answer the question, and the time between is filled with soft touches and nuzzles; Chris pulling reassurance from the physical contact with Erik.
"I think I may have just been collateral damage for people wanting to kill my dad. He was a detective with the NYPD. We were arguing, like we did a lot, and a car pulled up close to us. I saw the gun. Whoever it was started shooting, and Dad tackled me to the ground, but we were both hit anyway..." Chris bites their lower lip, but that does nothing to stop the tears. "I came back from the Between. He didn't. He was begging me not to leave him alone, but whatever was pulling me back from death wouldn't let me stay."
no subject
There's no rush. Erik is happy to savor this moment, the two of them pressed close, him soaking in their heat, and all those affectionate small touches. It reassures him too. He thinks about Chris becoming lost, body and mind, in that place between and his dead heart aches in his chest. When they do, finally answer, the ache only grows.
His hand cups Chris's cheek. He smooths that tear away with his thumb as he looks into their eyes. There's no judgment. If Chris cannot feel safe to shed tears here in their own home, with a trusted companion, then wherever could they?
"I'm sorry. That is truly horrible. I know you never would have wished something so terrible on him. Still, I am glad that you couldn't stay. Your own father should have been glad of that too." What kind of father wouldn't rejoice in his own child returning to life, even if it meant facing death alone?
no subject
"He was afraid. We were both so afraid." Chris confesses, "Sometimes, in my dreams, I hear him say that I should be dead and not him. But that's... that's just my guilt talking. He didn't understand me at all, but he did love me."
Chris nuzzles Erik's neck, kisses his skin softly, and asks, "Is there... something else you want to know? I don't... I can't dwell on my first death. It still hurts, Erik." And Chris presses a hand over their own heart for a moment, to communicate that they mean an emotional pain.
no subject
"Of course. I won't bring it up again unless you do. There are plenty of other things I'd like to know, some of them more mundane but no less important. I want to know what you like to eat and drink, what colors you prefer, what style of dress you find most comfortable, what you used to do for work, and more. I'd like to understand the life you came from. I'll trade you by telling you of mine."
no subject
But... Nazareth were really onto something when they said Love Hurts.) Instead, all Chris says is, "I'm sorry about your sister. That you lost her, and that losing her meant you can't resolve all those disagreements you had."As Erik lists off those mundane things that he'd like to know about Chris, Chris starts to smile a little. It's easy to dwell on the darker emotions, to sink in that mire and forget that there are good things in life still. And being reminded of the little things does help.
"Aidie would say whatever I like to eat and drink, I don't get enough of it." Chris rolls their eyes, but their tone is fond. "There's this little place in Old Gotham that does fusions of French and Chinese street food. I'd usually go order that when my job was really stressful and I needed to give myself a 'treat'. One of my favorites was their version of galette saucisse... it's a buckwheat pancake wrapped around a grilled pork sausage and garnished with mustard. But they use Chinese sausage and napa cabbage, and you can opt for spicy mustard."
Chris rests their head on Erik's shoulder. "As for work... I'll tell you a secret. I was working as a coroner with the Gotham City Police Department, but... I'd use my powers to talk to the ghosts of the dead, and help solve the crimes. It drove Detective Xiao crazy that I didn't 'leave police work to the police'."
no subject
Seeing the smile start to creep into Chris's expression does a lot to lift his mood, too. "That sounds like an interesting combination. My former servant, Max, would have loved to try it for himself. He was very fond of baking and cooking." Poor Erik never even got to try either of those cuisines, but they do smell nice.
"A coroner? I see no reason to be ashamed of that. If the police don't want the help, then they are the fools. But, they often are."
no subject
They run their hand along Erik's chest, then begin trailing their fingers along his side. Their voice is thoughtful as they ask, "You miss him, don't you? Max. I wish I could meet him, too. Because he's important to you."
no subject
He's the first to know here? He nuzzles in close of kisses them. "Thank you for trusting me with that secret." He'll treat it with the utmost care.
A long sigh makes his chest depress beneath their fingers. Max... does he even have the right to miss his Pet?
"I do. He was one of the first bright spots that entered my life in a long time. But, for him, it wasn't the same. I miss him dearly but... I am glad he is not here, now. The last place I left him, he was happier than I'd ever seen him. Happier than I could ever have made him."
no subject
When Erik answers more about Max, Chris stays silent. They still touch Erik gently, petting him as an offer of reassurance.
"Then... I hope he stays happy where he is. If that other place is better for him, then it's good you let him go." Chris is quiet again for a moment, then wonders aloud, "If Max did end up here, on Marrow Isle... you wouldn't take him on as a servant again, would you? If he didn't want to be."
The question takes on some extra weight, given what Chris just disclosed about the situation at home, for people like them. In this way, at the very least, there is a right answer and a wrong one.
no subject
"I didn't let him go. He was whisked away to that place in much the same way we have been transported here. I couldn't have let him go if we were both still in our own worlds. There are vampires who want his blood and I am all that stands between them." As pretty as it would sound to say he gave Max his freedom, that's not the truth. Max took the opportunity presented to him. Still...
"If he came here, I would not force him, no. Last we spoke, he made it very clear that he intended to remain a free man. I told him I would honor that. I will. Still, I cannot help but long to be close to him again. Not as his master but... as something." A friend? A lover? Confidant? Even he isn't sure what word would fit.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
wrap!